A young woman's mother is found dead in the home they both live in a year after her fathers unsolves suspicious murder. The police think the daughter may be responsible so she and her friends must prove she is innocent.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

An adopted woman on the cusp of childbirth reinserts herself back into the life of her biological mother, unsettling the entire family unit.

Despite heavy rain, landslides, scavengers and bulldozers, Eki hunts relentlessly through a colossal landfill for objects to remember his late mother by, desperate to preserve her memory.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video." 　　Kohei Ando produced experimental films for Shuji Terayama's theater company, Tenjo Sajiki. Using a 16mm camera he purchased with Terayama, Ando produced first film, Oh! My Mother (1968). His works include My Sons (1971), On The Far Side of Twilight (1994), and Whispers of Vermeer (1998). He has won awards at the Hawaii International Film Festival and the Monterey Electronic Cinema Festival.

A mother steals her estranged daughter's identity to escape an abusive boyfriend but when he finds her again, she's threatened all the more. But is the ex-boyfriend behind the threat or someone else? It's the forgiving daughter who must save her mother from the exposed villain.

It follows a woman in an abusive marriage who sends her son to Istanbul for care. The son goes missing, and after three years, she meets him again, but he now goes by a different name.

Sun Woo comes from a poor family background. She was once a promising Taekwondo athlete, but she now works part-time jobs to support herself. One day, she is is selected to become the stand-in for Ji Yeon due to their similar appearance. Ji Yeon is the granddaughter of Beomhan Construction Company's chairman. She was the driver of a fatal hit-and-run car accident. Sun Woo must play Ji Yeon in front of the public and media. Meanwhile, Sun Woo becomes the target of Ho Joong’s hostility. Ho Joong is Ji Yeon’s stepbrother and he has an inferiority complex over Ji Yeon. He wants to become the successor to Beomhan Construction Company.

The couples reunite in celebration as Marcus and Angela's daughter prepares to tie the knot. After being apart for quite some time, they learn quickly that as much as things change, they stay the same. Realizing their children have grown up to be so much like them, they reflect on the examples they've set and ask themselves that age-old question, why did they get married… again?